Away from Africa

  Paris Noir showcases many of the Black artists who came to live in Paris, study in Paris, work in Paris, from all over the world. Paris was especially a refuge for Black American artists who in the 1950s fled Jim Crow and the lack of freedom in the United States to live a free(-er) life in France. The show includes visual art: paintings, collages, and sculptures, as well as film clips, and texts describing the various periods in time, between the 1950s and 2000. As per the Centre Pompidou website : From the creation of the  Présence Africaine  review to that of  Revue noire , “Black Paris” retraces the presence and influence of Black artists in France from the 1950s to 2000. The exhibition celebrates 150 artists coming from Africa, the Americas and the Caribbean, whose works have often never been displayed in France before. Gerard Sekoto, South Africa: Self-Portrait, 1947 Artists shown hail from Martinique, Guadeloupe, the former French African colonies: Senegal, C...

"Gli" (Wall), 2010, at the beginning of the exhibition area, Brooklyn Museum What a life trajectory. El Anatsui's work is now featured in a retrospective at one of the United States' premier museums, the Brooklyn Museum :  Gravity and Grace: Monumental Works by El Anatsui , curated by Kevin Dumouchelle. El Anatsui has been shown at New York City's contemporary African art galleries since over 20 years, such as Skoto Gallery and the  Contemporary African Art  gallery. The first pieces I had seen, in the 1990s, and admired, were made of wood, and I still have a Newark Museum postcard I held on to since 2007. Several years ago, both Skoto Gallery and the Contemporary African Art Gallery staged a double exhibit of El Anatsui's new metal work, which is the art that finally made him famous worldwide, at the age of sixty! "Amewo" (People) - 1998, modified 2010 The art  was so wonderful to behold that we all wanted a piece, even though none of ...