Africa is a Country blog: "Social Media in Africa's Revolutions"

Read in Africa is a Country, this article about an exhibition at the Museum of Contemporary African Diasporan Art (MoCADA) in Brooklyn, NY:

http://africasacountry.com/2012/12/21/social-media-in-africas-revolutions/


Comments

Post a Comment

Please let me know your thoughts and questions. Also, if you feel that anything is incorrect, please let me know.
I need to moderate the comments, as in recent years there has been a spike in spam.

Popular posts from this blog

Duala Men's Attire

Image
In daily life: work, parties... Cameroonian men usually wear the same clothing as in Europe, the US, Australia, and much of the Middle East and Asia: shirts, slacks, and so on. Traditionally, however, Duala men wore, and still wear for specific occasions, a large fabric fastened at the waist called a Sandja . Originally, sandja fabric was made of tree bark, beaten till it was fine and soft enough to be draped. In Congo, a woven style of tree bark fabric is still made today, called "Kuba" cloth. There were three different ways of wearing the sandja: Held up at the waist to form short sherwal-type pants*; knee-length; and the ceremonial style, still worn today, full-length. That is the style I saw the most, often called "Sandja Ngondo" because it is worn for the Ngondo celebration (which had not been celebrated for 20 years when I arrived in Cameroon). My first experience of men wearing a sandja was at funerals, when men wore a black velvet cloth, with a white shi...
Read more

West Cameroon - festive traditional dress

Image
Women dancing in celebration, wearing matching "kabas" The neighborhood chief speaking to the community In December, I was invited to a weekend of festivities in Bamendjou, West Cameroon. The occasion was the honoring of my friend, Jeanne Ntopa, to the title of Mafeu. This title appears to have been the title for the Queen Mother, but as I understood it, can now be given to women who have done much good to their community and thus are elevated to Queen Mother status. Among the Bamileke from the region called the Grasslands by the German colonialists, there are many (related) languages. Thus the language spoken in Bamendjou is only barely understood by our Mafeu's own spouse, who is from the Dschang area. I understood nothing at all on the first day; however, I could sense the joy and pride during the Mafeu's neighborhood community celebration. On the second day, the Bamendjou traditional chief, in this title since over 60 years, spoke in French as he ackno...
Read more

Paris Noir at the Centre Pompidou in Paris

Image
  Paris Noir showcases many of the Black artists who came to live in Paris, study in Paris, work in Paris, from all over the world. Paris was especially a refuge for Black American artists who in the 1950s fled Jim Crow and the lack of freedom in the United States to live a free(-er) life in France. The show includes visual art: paintings, collages, and sculptures, as well as film clips, and texts describing the various periods in time, between the 1950s and 2000. As per the Centre Pompidou website : From the creation of the  Présence Africaine  review to that of  Revue noire , “Black Paris” retraces the presence and influence of Black artists in France from the 1950s to 2000. The exhibition celebrates 150 artists coming from Africa, the Americas and the Caribbean, whose works have often never been displayed in France before. Gerard Sekoto, South Africa: Self-Portrait, 1947 Artists shown hail from Martinique, Guadeloupe, the former French African colonies: Senegal, C...
Read more